by Erika Rose Haack | Jul 6, 2021 | Coming Up, Feature, General, The Arts
SF, California. The San Francisco Ballet, in partnership with Stanford Live, announced its first in-person performance since shutting down in March 2020 in response to the COVID-19 pandemic. The performance, titled Starry Nights: SF Ballet’s Return to the Stage, will take place at the Frost Amphitheater the weekend of August 13-14. This will be the Company’s first performance at Stanford University in over 50 years. After seventeen months of virtual programming, dancers are thrilled to perform on stage. Artistic Director Helgi Tomasson says: “Starry Nights is a celebration of our dancers’ resilience and a symbol of gratitude to the community that has ushered us through this remarkable time.” Tickets go on sale July 10 at 12 PM via Stanford Live.
Core de Ballet performing a variation within the ballet “Serenade” Choreographed by George Balanchine (1935)
Established in 1933, the San Francisco Ballet is the oldest professional ballet company in the United States. By 1939, under the Company’s ballet master William Christensen, the SF Ballet performed the first full-length American production of Coppélia (1938). Its first international debut in 1957 featured performances in eleven nations across Asia and the Middle East, followed quickly by another tour to Latin America in 1958. In 1974 the SF Ballet established an extraordinary grassroots effort “Save Our Ballet” that rescued it from the brink of bankruptcy. Now, 88 years later, the Company remains one of the most preeminent ballet companies in the world.
The San Francisco Ballet was the country’s first arts organization that ceased performances in light of the burgeoning COVID-19 outbreak. Its 2021 season featured entirely virtual performances until now. The upcoming performance of Starry Nights includes George Balanchine’s Serenade (1935) and Tarantella (1964), as well as Danielle Rowe’s For Pixie (2017) to the music of Nina Simone. It will close with Helgi Tomasson’s The Fifth Season (2006) accompanied live by the San Francisco Ballet Orchestra conducted by Martin West. There will be two performances only.
From the San Francisco Ballet:
San Francisco Ballet, long recognized for pushing boundaries in dance, has a history of making history. Our mission is to share our joy of dance with the widest possible audience, both locally and around the world. Join us for our long-awaited return to live performances, featuring a thrilling blend of poetry and athleticism.
by Erika Rose Haack | Jun 22, 2021 | General, News, The Arts |
San Francisco, CA. The urgency of the moment in the wake of George Floyd was never lost on Dance Mission Theater. Founded on social change and resistance through dance performance, DMT took swift action in solidarity with the Black Lives Matter movement. Staff and board members established a Reparations Program to support dancers and artists of African descent. Krissy Keefer, Executive Director, released a statement outlining the theater’s response to the “gross inequities” laid bare by the COVID-19 pandemic. Their Reparations Program includes access to free theater space, free tuition for youth dance classes, reduced rates on rehearsal space, and half-off adult classes.
Krissy Keefer, co-founder of Dance Brigade and Executive Director of DMT. Photo from the San Francisco Examiner.
Dance Mission Theater originated in 1984 as a single feminist dance company, the Dance Brigade. The Dance Brigade spent 14 years establishing its artistic voice and community presence. In 1998 they created Dance Mission Theater, a 140-seat black box theater, and 3 dance studios located at 24th and Mission. To this day, Dance Mission Theater is a cultural hub for BIPOC, LGBTQIA+, and women artists. A flourishing inter-generational community, Dance Mission “connects and empowers [students of diverse backgrounds] through dance”. Classes and productions feature culturally rooted dance forms while exploring complex social justice issues. Dance Mission is dedicated to centering those marginalized by race, poverty, and gender in the arts. Providing accessible classes and spaces to Black students through their Reparations Program is a new step toward forwarding that goal.
Grrrl Bridgade performs to Robbie Robertson’s song “Coyote Dance” at the Brigade’s 15th Anniversary Performance.
From Dance Mission Theater:
Dance Mission Theater operates from the understanding that the United States was founded on the genocide of Native peoples and the enslavement of African people and has neither apologized nor rectified this original wound. We are committed to programming that reflects the best efforts of who we are – BIPOC, LBGTQ+, and Children – to transform the culture of white supremacy, police brutality, and patriarchy to build a more equitable and peaceful world.
Author’s note: Ericka Hart, M.Ed. and anti-racist educator, calls attention to the fact that while Dance Mission Theater decided to term this program “Reparations” it is not actually reparations. Reparations are owed to Black people by the State because of the generations of wealth denied to the enslaved Black persons who produced them. Individual and community action separate from the State does not diminish nor replace that responsibility.
