Travel Lovers Flock to Winery and Learn About Exclusive Resorts

Travel Lovers Flock to Winery and Learn About Exclusive Resorts

A lifestyle story: Sonoma, CA. A group of wine lovers gathered at the Flowers Vineyards & Winery on the Sonoma Coast. The August 1st brunch was hosted by  Exclusive Resorts, the winery, and Porsche Marin. The event celebrated the joys of travel and the launch of the latest issue of Curated Magazine. Erin Lentz, Editor in Chief of Curated Magazine, posed for a photo with Exclusive Resorts CEO James Henderson and, Exclusive Resorts Senior Director of Marketing Caitlin Austin.

Allison James and Harry Vacek

88 prominent business leaders and travel lovers attended the event to learn more about the Club’s Members-only portfolio of luxury residences and vacation experiences. They enjoying live music, fresh and innovative bites from local restaurants including Oyster Girls, The Farmer’s Wife, Zazu, and Noble Folk, as well as cupcakes paired with a sampling of Flower’s finest vintages. Guests also test drove the new Porsche Taycan in addition to the Porsche 911 provided by Porsche Marin.

Caroline Smith and Miranda Hartridge

Charisse Fazzari, Dr. Jordan Shlain (Founder of Private Medical) and Mark Long

David & Tiffany Lewis and David & Jill Anderson

Erin Lentz, Editor in Chief of Curated Magazine, Rachel Regan, Exclusive Resorts SVP of Sales and Karrie Sims 

Exclusive Resorts CEO James Henderson addresses the attendees.

Kevin Boswell, Gioia McCarthy, Sean McCarthy, and Elliot Schreiber

Nick Withers, President of Huneeus Vintners, and his wife Ashley Withers

Sam Highley, Founder of All Roads North, Stefanie Schoen, Founder of The Style Safari

Mary Allan, James Henderson, Jen & Phil Bodem

Owners of Phifer Pavitt Wine Shane Pavitt and Suzanne Phifer-Pavitt

Nancy and Bruce Worthington

Sophia Yamauchi & Sam Highley

Taylor Gross and Setahrae Javanbakht

From Flowers Vineyards & Winery:

Nearly 30 years ago, Flowers Vineyards & Winery pioneered the growing of Pinot Noir and Chardonnay on the rugged coastal ridges of the extreme Sonoma Coast. Joan and Walt Flowers had a simple goal — make exceptional wine that captures the wild beauty of the land and the spirit of the Sonoma Coast. This passion drives everything we do — farming responsibly, harvesting by hand, using 100% native fermentation, and crafting wine with minimal intervention. Our unwavering commitment to creating distinctive wines that capture the spirit of the Sonoma Coast has been the bedrock of our success and will continue to guide us for years to come.

Exploratorium Presents Ocean Buoy and Marine Life Exploration Events

Exploratorium Presents Ocean Buoy and Marine Life Exploration Events

San Francisco, CA. The Exploratorium is gearing up for a series of in-person and online events exploring an ocean buoy and life under the San Franciso Bay. Tickets to attend in-person events, August 19-20, are available for purchase on the Exploratorium website. The online program can be viewed on the Exploratorium’s Facebook page and YouTube channel. In-person and Online Programs Explore Life Under the San Francisco Bay.

Local Parents and Children Support Literacy in Africa During COVID-19

Local Parents and Children Support Literacy in Africa During COVID-19

Portola Valley, CA. Local families are working through the African Library Project to get books into the hands of children in Sierra Leon, Ghana, Uganda, Kenya, Botswana, Malawi, and Lesotho. With the help of volunteers, the nonprofit establishes anywhere from 30-60 libraries per year, even during the pandemic throughout 2020. The process to launch a library is simple as the graphic below suggests, it involves gathering 1,000 gently used or new children’s books and making a $500 donation.

African Library Project establishes partnerships with African-based organizations that specialize in education, library, or community development. The partners must be capable of supporting the development of 30-60 libraries per year.

African Library Project works in English-speaking African countries that meet the organization’s criteria for sustainable library development. The nonprofit looks for countries that have a significant need for books and feature political stability, reliable transport of books to destinations, and a network of local organizations capable of organizing books into real, working libraries. 

Partners and librarians in Africa unloading donated books. The African Library Project pays close attention to a recipient’s ability to sustain a working library.

Giving children access to books has become urgent because, according to a recent study, separation from the classroom as a part of global attempts to curb the spread of COVID-19 is negatively affecting their developing reading skills. The UN reports a significant decline in literacy and reading ability across the globe.

While all non-profit organizations have dedicated staff that work hard to affect change, most non-profits rely on volunteers. The months of social isolation during the COVID-19 pandemic have taken their toll on all of us.  Many remember all the canceled activities and suspended obligations from March of 2020; the wondering in April and May of how long it was all going to last.  Volunteer programs were not immune to the confusion of constantly shifting guidelines, nor the concerns for safe and healthy conditions.  A report released by VolunteerMatch found that during the early months of the COVID-19 pandemic, greater than 50% of non-profit organizations were experiencing heavy cancellations from their volunteers.  Now that many states are re-opening and attempting to return to a semblance of normalcy, a lot of us still feel trepidation at the idea of entering back into public life. Here‘s a little “How To” courtesy of the African Library Project on how you can volunteer to support children’s literacy, re-engage with your local community, and stay safe while doing it.  The African Library Project’s online Resource Center features everything you need to help build a library in Africa.  It includes fundraising ideas, book drive guidelines, marketing, and outreach tips, quality standards for donated books, and how to pack and ship your completed library.

Below is an example of a poster:

African Library Project advertisement for the 2021 Summer Book Drive volunteer event.

About The African Library Project:

The African Library Project was founded in 2005 by Chris Bradshaw and her family from Portola Valley, California. While visiting remote villages in Lesotho, a small mountainous kingdom in Southern Africa, Chris was inspired to work toward ending the cycle of poverty and illiteracy when she found out that there was only one public library in the country. She realized the simple act of establishing libraries within schools would have a profound effect on communities as a whole.

We are proud to partner with capable and hardworking organizations and individuals who are dedicated to promoting literacy and library development in Africa. In the United States, volunteers organize book drives and raise funds to ship the books overseas. Once those books are gathered and mailed, the African Library Project relies on a network of dedicated partners within Africa to get them to each community – no matter how far.  In addition to selecting and vetting each library recipient, our trusted partners provide training on how to set up and run a library in a rural community. They also follow up to evaluate the use of our libraries and encourage good library practices. The African Library Project’s goal is to make sure our libraries remain active and continue to enrich those who need them the most.

SF Ballet Announces First In-Person Performance in 17 Months

SF Ballet Announces First In-Person Performance in 17 Months

SF, California.  The San Francisco Ballet, in partnership with Stanford Live, announced its first in-person performance since shutting down in March 2020 in response to the COVID-19 pandemic.  The performance, titled Starry Nights: SF Ballet’s Return to the Stage, will take place at the Frost Amphitheater the weekend of August 13-14.  This will be the Company’s first performance at Stanford University in over 50 years.  After seventeen months of virtual programming, dancers are thrilled to perform on stage.  Artistic Director Helgi Tomasson says: “Starry Nights is a celebration of our dancers’ resilience and a symbol of gratitude to the community that has ushered us through this remarkable time.”  Tickets go on sale July 10 at 12 PM via Stanford Live.

Core de Ballet performing a variation within the ballet “Serenade” Choreographed by George Balanchine (1935)

Established in 1933, the San Francisco Ballet is the oldest professional ballet company in the United States.  By 1939, under the Company’s ballet master William Christensen, the SF Ballet performed the first full-length American production of Coppélia (1938).  Its first international debut in 1957 featured performances in eleven nations across Asia and the Middle East, followed quickly by another tour to Latin America in 1958.  In 1974 the SF Ballet established an extraordinary grassroots effort “Save Our Ballet” that rescued it from the brink of bankruptcy.  Now, 88 years later, the Company remains one of the most preeminent ballet companies in the world.

The San Francisco Ballet was the country’s first arts organization that ceased performances in light of the burgeoning COVID-19 outbreak.  Its 2021 season featured entirely virtual performances until now.  The upcoming performance of Starry Nights includes George Balanchine’s Serenade (1935) and Tarantella (1964), as well as Danielle Rowe’s For Pixie (2017) to the music of Nina Simone.  It will close with Helgi Tomasson’s The Fifth Season (2006) accompanied live by the San Francisco Ballet Orchestra conducted by Martin West.  There will be two performances only.

From the San Francisco Ballet:

San Francisco Ballet, long recognized for pushing boundaries in dance, has a history of making history.  Our mission is to share our joy of dance with the widest possible audience, both locally and around the world.  Join us for our long-awaited return to live performances, featuring a thrilling blend of poetry and athleticism.

Iyengar Yoga Institute of San Francisco Hosts ‘Uplifting LGBTQ+ Pride in Yoga’ Event

Iyengar Yoga Institute of San Francisco Hosts ‘Uplifting LGBTQ+ Pride in Yoga’ Event

San Francisco, CA.  The Iyengar Yoga Institute of San Francisco (IYISF) held its pride panel discussion “Uplifting LGBTQ+ Pride in Yoga” on Friday, June 26 via Zoom.  The 60-minute panel featured queer and trans-identifying instructors from the Iyengar community discussing the intersection between their queer/trans identity and their Iyengar yoga practice.  A 90-minute donation-based identity affirming practice preceded the event co-taught by panelists Avery Kalapa (they/them) featured above, and Nathan Blum (he/him).  The yoga practice followed a theme of heart-openers, acceptance, and self-love with inclusive cueing.

Panelists meet via Zoom to discuss the intersection between their identity and their yoga practice.

The IYISF is an asset of the Iyengar Yoga Association of Northern California (IYANC) officially established in 1976, although under a different name at the time, and located in Lower Pacific Heights.  The lineage of Iyengar Yoga finds its origin on the Indian Subcontinent.  Mr. B.K.S. Iyengar developed this method when he began teaching in 1936.  It rose to prominence in the West after his first book Light on Yoga was published in 1966 and became an international bestseller.  The Iyengar style of practice centers primarily on the importance of timing and alignment in āsana, the physical postures.  It is well known for its strategic utilization of numerous props including blankets, blocks, straps, bolsters, chairs, sandbags, and more.  The understanding is that balance and alignment achieved in the body are reflected in the state of one’s mind.

The sentiment that one’s yoga practice and identity are deeply intertwined presented as a common theme amongst panelists.  Most panelists shared the experience of trying to keep their identities as queer separate from their identity as yoga teachers.  They learned over time the challenge of keeping these identities separate revealed there is a link between the experience of yoga and the queer experience.  Panelist Misia Denéa says her identity as a queer black gender non-conforming femme is an essential part of her yoga practice: “[Our] journey to enlightenment only comes through exploration and understanding of suffering.  I bring my queerness with me to my mat and my [meditation] cushion because accepting it offers me the bandwidth to be with my suffering.”

Panelist Misia Denéa, owner of Hatha Hoslistic Integrative Wellness.

From the IYISF:

“The first Pride was a riot – and using the practice of Yoga to shed social conditioning and attachments rooted in avidya can also be a revolutionary act.  This yoga includes āsana and philosophy to uplift your wholeness and create inner space to cherish the parts of you that don’t fit into cis-hetero norms.  Queer perspectives shine a light on the path for us all on the journey towards inner freedom and collective healing.”

Dance Mission Theater Establishes Reparations Program for Creatives of African Descent

Dance Mission Theater Establishes Reparations Program for Creatives of African Descent

San Francisco, CA.  The urgency of the moment in the wake of George Floyd was never lost on Dance Mission Theater.  Founded on social change and resistance through dance performance, DMT took swift action in solidarity with the Black Lives Matter movement.  Staff and board members established a Reparations Program to support dancers and artists of African descent.  Krissy Keefer, Executive Director, released a statement outlining the theater’s response to the “gross inequities” laid bare by the COVID-19 pandemic.  Their Reparations Program includes access to free theater space, free tuition for youth dance classes, reduced rates on rehearsal space, and half-off adult classes.

Krissy Keefer, co-founder of Dance Brigade and Executive Director of DMT. Photo from the San Francisco Examiner.

Dance Mission Theater originated in 1984 as a single feminist dance company, the Dance Brigade.  The Dance Brigade spent 14 years establishing its artistic voice and community presence.  In 1998 they created Dance Mission Theater, a 140-seat black box theater, and 3 dance studios located at 24th and Mission.  To this day, Dance Mission Theater is a cultural hub for BIPOC, LGBTQIA+, and women artists.  A flourishing inter-generational community, Dance Mission “connects and empowers [students of diverse backgrounds] through dance”.  Classes and productions feature culturally rooted dance forms while exploring complex social justice issues.  Dance Mission is dedicated to centering those marginalized by race, poverty, and gender in the arts.  Providing accessible classes and spaces to Black students through their Reparations Program is a new step toward forwarding that goal.

Grrrl Bridgade performs to Robbie Robertson’s song “Coyote Dance” at the Brigade’s 15th Anniversary Performance.

From Dance Mission Theater:

Dance Mission Theater operates from the understanding that the United States was founded on the genocide of Native peoples and the enslavement of African people and has neither apologized nor rectified this original wound. We are committed to programming that reflects the best efforts of who we are – BIPOC, LBGTQ+, and Children – to transform the culture of white supremacy, police brutality, and patriarchy to build a more equitable and peaceful world.

Author’s note: Ericka Hart, M.Ed. and anti-racist educator, calls attention to the fact that while Dance Mission Theater decided to term this program “Reparations” it is not actually reparations.  Reparations are owed to Black people by the State because of the generations of wealth denied to the enslaved Black persons who produced them.  Individual and community action separate from the State does not diminish nor replace that responsibility.

 

 

Getting Back to Into the Swing of Things With a ‘Bubble Ball’

Getting Back to Into the Swing of Things With a ‘Bubble Ball’

Incline Village, NV. On May 22nd, 2021 Lake Tahoe School in Incline Village, NV held an in-person gala! The Bubble Ball was the name of this year’s gala fundraiser, held for the first time in the school’s new Athletic and Performing Arts Center on campus. 130 guests enjoyed fine dining by Roundabout Catering in a space transformed by Creative Coverings and Celadon Events, plus a raucous auction that raised nearly $500,000. Kristen O’Donnell and Sarah Williams, (seen above) were the Gala Co-Chairs. (Photo credit Ciprian Cojac)

Matthew Hill, Kevin Kassekert and Keith O’Donnell

Venue transformed by Celadon Events, Creative Coverings and Crux Productions

Head of School Robert E. Graves

Auctioneer Keith McLane, BAS, (2nd from left) congratulates SpaceX Tour winners Melissa Green, Jason Green and Rob Alston

From Lake Tahoe School:

The Lake Tahoe School annual gala raises funds to benefit tuition assistance, faculty and staff development, facilities improvements, safety protocols, and special programming for our students. Lake Tahoe School is an independent, PreK-3 through 8th-grade school providing the highest standards of education in the Sierras.

 

James Irvine Foundation Helps Grantees in 2020

James Irvine Foundation Helps Grantees in 2020

San Francisco, CA. The James Irvine Foundation has a long history in southern California with investing in meaningful nonprofits, and it continues to bring support through grants to individuals and struggling communities amidst the pandemic. (Leaders are pictured above before the pandemic.) The organization was originally founded in 1937 by a man known as the “pioneer of California agriculture.”

James Irvine inherited vast amounts of farmland in 1886 which helped build his fortune in food production before getting involved in philanthropy. The organization has radically changed since its creation in the late 30s as California moved from an agriculture state to realty-focused by the mid-20th century. The James Irvine Foundation is currently located in five cities and has created tens of thousands of jobs.

The motto of the organization today is to assist low-income working Californians by investing in its grantees, which are primarily nonprofits with similar goals in mind.

Last April, the foundation announced new considerations for grantmaking and launched its first major phase of the Priority Communities initiative in several different cities in the SoCal region and beyond.

The goals of the three different phases of initiatives were to invest in small grassroots organizations, persuade policymakers to listen to those who struggle the most, and assist working individuals affected by COVID. Additionally, the organization was concerned about the fact that the pandemic has affected a disproportionate amount of black and Latino communities who struggled on finding new employment as job loss continued to skyrocket in the States.

The James Irvine Foundation promised to use its $135 million initiative over a seven-year span in Fresno, Salinas, Riverside, San Bernardino, and Stockton in 2021. The James Irvine Foundation has currently given $28 million to 18 different grantees in support of the current workforce and creating new jobs.

The organization also hosts an annual James Irvine Foundation Leadership Awards which recognizes leaders who responded to critical issues in their communities by creating new opportunities and improve the lives of Californians.

The foundation canceled the event last year due to the pandemic but plans to move forward with nominations for the Leadership Awards starting on March 8th.

With over $3 billion in assets, the James Irvine Foundation will likely continue to invest in meaningful projects this year that help the most vulnerable in Southern California communities.

From The James Irvine Foundation:

The California Dream – doing better than your parents – is increasingly out of reach for millions of working people. As our state and nation rebuild our economy, we have a chance – and an imperative – to do so in ways that honor, protect, and advance all workers.

California’s future is tied to the success of the millions of workers who live on low incomes, often in poverty. We invest in leaders and organizations that can address the daunting situation our state faces (before the fallout of COVID-19 and as we work to rebuild after it).

International Organizations Respond to #MoveTheDate of Earth Overshoot Day

International Organizations Respond to #MoveTheDate of Earth Overshoot Day

Oakland, CA. More than fourteen different international organizations have agreed with the Global Footprint Network on bringing more awareness about Earth Overshoot Day (EOD). EOD is essentially a day calculated by the Global Footprint Network where humans’ usage and consumption of Earth’s natural resources exceeds or overshoots the amount the planet is actually able to produce.

The EOD is calculated by dividing the number of natural resources the Earth generates each year or biocapacity, by the human consumption of Earth’s natural resources that year or the world’s ecological footprint.

Generally speaking, the earlier the date is in the year, the quicker it was for humans to consume more resources than the Earth can produce.

The concept was originally developed by New Economics Foundation (NEF) Policy Director Andrew Simms in the 1980s. NEF’s global partner Global Footprint Network has subsequently hosted a campaign every year since 1987 for EOD to bring more awareness of humans’ over-usage of Earth’s resources.

Since the late ’80s, the EOD has changed from the middle of Autumn to the late summer in 2019.

2020 was an interesting year for the world as the global pandemic had seen a decrease in general human activity and usage of certain energy sources.

Researchers found in 2020 that the global ecological footprint decreased by 9.3% compared to 2019.

The EOD each year generally shrinks back to earlier in the year as human activity and consumption of natural resources gradually increases. However, the 2020 EOD took place 24 days later than the 2019 EOD.

Some solutions the Global Footprint Network has put forth for this year include nurturing nature’s biodiversity in your local area, transferring to renewable energies, and transforming our systems when it comes to producing food and running our cities.

“All the while we cannot afford to wait before we take action, one city, one country, one company, one entity, one individual at a time…ultimately, a constellation of life-sustaining actions is what is needed in order to #MoveTheDate of Earth Overshoot Day intentionally and by design,” said Global Footprint Network. 

From Global Footprint Network:

Everyone should be able to look forward to a bright future where we all thrive within the means of our one planet. However, our economies are currently running a fraudulent Ponzi (or pyramid) scheme with our planet. We are consuming natural resources faster than they can regenerate; we are using the Earth’s future resources to operate in the present; we are digging ourselves deeper and deeper into ecological debt.

Prosperity can only last if we embrace the limits of our planet. Accepting limits allows us to build an economy that works forever. Ignoring limits leads to a finite, time-limited economy which steadily since it erodes the planet it depends on.

A path to success – or to one-planet prosperity – requires robust metrics that relate our global context to local decisions. Measure what you treasure: To build a world where all can thrive, we need to know how much nature we have and how much we use.

 

Palomacy and Why More People Should Adopt Pigeons and Doves

Palomacy and Why More People Should Adopt Pigeons and Doves

San Francisco, CA. Palomacy Bird Care Coordinator Jill Shepard (seen above) discusses the organization’s root beginnings and why pigeons and doves make great pets for those looking to adopt a new friend.

Elizabeth Young, the founder and director of Palomacy, volunteered at San Francisco Animal Care and Control in the mid-2000s and monitored the small animals that came in like bunnies, guinea pigs, and pigeons.

“She would see these big white pigeons come in and they were put in the back of the kennel so nobody saw them,” Shepard said, “and they were later euthanized because nobody really knew what to do with these pigeons.”

Most of the birds that would be admitted to Animal Control were the domestic King Pigeons. These birds are popular as meat products as it only takes 4-5 weeks to fatten the young pigeons before slaughter. They are called squab on menus.

The ones that are taken away from slaughterhouses generally do not understand how to fend after themselves due to their domesticated and young nature. They will often starve as a result unless taken into shelters.

“There are over 300 breeds of domesticated pigeons that can’t live in the wild,” Shepard said, “it’s like releasing a puppy in the forest, they don’t have that DNA.”

Young wanted to focus her volunteer efforts on rescuing pigeons and doves after her experience at the animal control and adopting her first king pigeons.

“There was this parrot rescue group in the bay area called ‘Mickaboo’ and so she asked for their help,” Shepard said, “and that’s how it got started.”

Young would dedicate her spare time between jobs caring for rescued pigeons and doves in her own department at Mickaboo called Mickacoo.

Shepard first got involved with Young’s work in 2011 when the director decided to split off from Mickaboo and found her own organization called Palomacy.

 

“Every day is different,” Shepard said in consideration of the regular routine of Palomacy, “it’s all over the place.”

Shepard’s days can be consumed with all sorts of activities including reading through adoption or foster applications, making sure the birds’ needs are met, and transporting sick pigeons to The Medical Center for Birds in Oakley, CA.

Other days may be dedicated to picking up birds for rescue as Shepard mentioned that she had recently picked up a 25-year-old racing pigeon that was surrendered to Palomacy. Pigeons generally only live up to fifteen years in a domestic setting and even less in the wild.

Shepard discussed how pigeons are considered monogamous animals, and after they are about 5-6 months old, they live with a mate for life. Pigeons are “particular” about their mates and Shepard will often spend her day doing “pigeon matchmaking” to find the right pairs to live with each other in and outside of the rescue.

2020 has been an interesting year for several nonprofit organizations and Palomacy has missed out on continuing its educational outreach programs that help bring more positive attention to the birds. Despite this slight setback, Palomacy has been able to stay open strictly following CDC social distancing guidelines.

“We’re actually adopting more out than we ever have, so our numbers are pretty high with adoptions,” Shepard said.

The bird care coordinator credits the increase of adoptions to people staying at home and finding out about Palomacy themselves.

Palomacy still has several birds that are up for adoption and welcome anyone in the bay area that may be interested in caring for pigeons and doves.

The nonprofit has about forty different foster homes for the birds but is accepting applications for more potential foster parents.

The organization runs entirely from its donations and will continue to accept new rescues to find more loving, safe homes for life.

“They’re not disposable animals,” Shepard stated, “they are very emotionally driven, they’re smart, they’re one of the few species that can self-recognize in mirrors, they’re very emotional birds, they love love.”

From Palomacy:

Palomacy (a Community Initiatives project) is a volunteer-powered, donation-funded rescue for domestic (unreleasable) pigeons & doves in the San Francisco Bay Area. Palomacy provides avian vet treatment, foster care & adoption services locally & consultation & referrals all over the country. Started in 2007, Palomacy has directly saved the lives of more than 1,000 birds & assisted countless others.